Search results for "Irlande du nord"

showing 3 items of 3 documents

Le sens de l’écart : la narration déconstruite dans les vidéos de Willie Doherty

2011

International audience; In his video works, all tightly focused on the Northern-Irish conflict, Willie Doherty probes the perpetrator-victim dyad and denounces the truncated visual representation of the conflict by deconstructing the relation between image and sound. The texts uttered by the voice-over raise political issues relevant to post-conflict Ireland, whether it be victimhood, national trauma or the construction of collective memory. Multiple open-ended interwoven narratives accompany images without closing their interpretation.; Dans les œuvres vidéographiques de l’artiste nord-irlandais Willie Doherty, les éléments narratifs entretiennent une relation complexe avec les images film…

XXe sièclelcsh:Language and Literatureguerre civileXXIe siècletraumatisme[ SHS.HIST ] Humanities and Social Sciences/Historytémoignagemedia_common.quotation_subjectLanguage and LiteratureIrlande du nordPGeneral MedicineArt[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyvictime[ SHS.LANGUE ] Humanities and Social Sciences/Linguisticslcsh:P[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museology[SHS.LANGUE]Humanities and Social Sciences/Linguistics[SHS.HIST]Humanities and Social Sciences/HistoryHumanitiesvoix-offmedia_common
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Contemporary performance art by Helena Walsh: embodiment as empowerment in an Irish context

2016

Ever since the 1970s, performance artists have used their bodies as a means to question the patriarchal control of women. In Ireland, where the body is at the center of debates over contraception, abortion and divorce, feminist performance art has proved particularly pertinent to substitute the real experiential body to the allegorical or fetishized female body. Through her performances, Helena Walsh incites the viewers to respond to the effect of ideology on the physical body. Embodiment, impersonation and incorporation make the body explicit and reopen historical wounds.

feminismContraception Magdalene Laundriesguerre du VietnamPerformancemanifestationsNorthern IrelandProstitutionMagdalene laudriesPerformance artAvortementAllégorie1968impérialismeComputingMilieux_MISCELLANEOUSIrlande du NordNationalismVietnam WarstudentsdemonstrationsétudiantsAbortion[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historysocial movementmouvement socialNationalismeimperialismAllegory[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social Sciencesbody artIreland
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Lin et lignes retissés : De la réappropriation de l’histoire dans « Cloth » de Rita Duffy et Paul Muldoon

2020

International audience; This paper focuses on Cloth, A Visual and Verbal Collaboration by Paul Muldoon and Rita Duffy. Muldoon’s poetic text and Duffy’s paintings were commissioned by the Millennium Court Arts Centre in Portadown in 2007 to feature in a collaborative exhibition and catalogue under the general banner “Interrogating Contested Spaces in Post-Conflict Society”. Duffy’s images and Muldoon’s prose poem – which subtly echo W.B. Yeats’s poem “Cuchulain Comforted” – are all about delineating and crossing borders between domestic and institutional spaces; personal and political spaces; garments, skin and psyche; violence and peace; etc. Duffy’s images of vestments, shirts or handkerc…

intermédialitéContemporary Irish literature[SHS.LITT]Humanities and Social Sciences/LiteratureLittérature irlandaise contemporainePaul MuldoonGeneral Engineering06 humanities and the artsNorthern Ireland[SHS.ART]Humanities and Social Sciences/Art and art history060401 art practice history & theory16. Peace & justicegaze[SHS.LITT] Humanities and Social Sciences/Literatureintermediality[SHS.HIST] Humanities and Social Sciences/Historyregard[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.HIST]Humanities and Social Sciences/HistoryRita Duffy0604 artsIrlande du Nord
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